Welcome to Ilya Efimov BAYAN !

The bayan is a musical instrument, with full chromatic scale on the right of the keyboard and basses and chord accompaniment on the left. The bayan is one of the most perfect chromatic accordions in existence nowadays. It is often known, internationally, as a ”button accordion”. There is a multi-timbral version of the bayan which is commonly used in concert performances; it is used as a solo, ensemble and orchestral instrument. The multi-timbral bayan is available with 4 voices, providing 15 different registers by selecting various combinations of the voices.  We present a sample library of a four-voice Bayan for Kontakt.

Welcome to Ilya Efimov BALALAIKA !

Balalaika – the renowned symbol of Russian culture beloved for generations is a stringed musical instrument with a characteristic triangular body and three strings. The most common solo form of the instrument is the prima, which is tuned E-EA (thus the two lower strings are tuned to the same pitch). The strings on the modern balalaika are: first string (A) stainless steel with the second and third strings (E-E) nylon. Body sizes and neck lengths vary according to type and may have from sixteen to thirty-one frets.
The balalaika is used as a concert solo, ensemble and orchestral instrument. Modern Russian orchestras featuring folk instruments use five varieties of the balalaika: prima, second alto, bass and double bass (contrabass). Of these, only the prima is considered a solo virtuoso instrument. It is this uniquely essential variety that we are happy to introduce as the latest addition to our library of virtual instruments: “Balalaika”.
Our Balalaika library includes all of the most commonly used articulations: strumming, pizzicato, tremolo, vibrato, rolls, and even some guitar techniques. Three convenient modes of playing have been provided- Solo, Strum and Harmony.
We believe that music created with the help of our library will exceed your expectations and will help you to reach the highest musical standards. Enjoy !

WELCOME TO ILYA EFIMOV DOMRA!

Most persons would assume that the balalaika predates the domra. In fact, the domra is known to have existed for over 1000 years; the balalaika only about 350. Musicologists have reached a clear conclusion: the domra and balalaika are two different versions of the same kind of stringed instrument, with the domra being the balalaika’s ancestor.

The domra is a Russian folk instrument, popular among sixteenth century Russian musician/jesters called “buffoons”. In 1648, by order of the king the persecution of buffoons quickly resulted in the disappearance of the domra. “Re-discovered” in 1896, it was reconstructed by master luthiers Andreev and Nalimov, and has since evolved into today’s three orchestral versions: (small, alto, bass) with a quarter tone scale.

Thereafter, the domra was immediately introduced to academic music, and as a group dormas have become an indispensable part of the Russian National Orchestra, used as a melodic base. Additionally, the domra is becoming widely accepted as a solo instrument, written into many current musical pieces and concerts.

welcome to ilya efimov domra!

The Domra alto is Russian traditional instrument in the domra family. As with all domras, it has three strings but sounds an octave lower.

WELCOME TO ILYA EFIMOV CONTRABASS BALALAIKA !

This instrument has a special place in the balalaika family. The largest in size, Contrabass produces the lowest, most powerful dynamics and sound - equivalent to an upright bass. As with all balalaikas, It has three strings, tuned E-A-D. Main Range: E (bass-octave)-A (treble octave). The notation in the bass clef is written an octave higher than its actual sound. The contrabass balalaika is played with a large leather pick, creating a softer, thicker, clearer sound. The technique for playing the contrabass balalaika has been developed and perfected in recent times; with solo performances attracting wide attention among artists as well as teachers and students.